“It’s not easy to summarize Shteyngart; there’s so much satirical gunpowder packed into every sentence that the effect gets lost in the short version. But basically, this is a love story [that is] ridiculously witty and painfully prescient, but more than either of those, it’s romantic.”
Time (Summer Preview)

Finally, a funny book about the financial crisis.”
Wall Street Journal

Gary Shteyngart’s third novel, Super Sad True Love Story, had to be a total blast to write. It’s an homage to science fiction, George Orwell’s 1984 in particular, with a satirical postmodern overlay of authorial wish fulfillment…The text consists of Lenny’s diary entries and Eunice’s e-mails to various friends and family. They both write with endearing, sometimes clumsy earnestness, and their intertwining narratives, for all the book’s cheeky darkness, pose a superserious question: Can love and language save the world?”

“This is one of the funniest and most frightening books I’ve ever read. It pictures a New York dystopia that is scary because it’s already happening. I never really believed in the horrors of 1984, but the details of Super Sad True Love Story are all too convincing. Gary Shteyngart is our greatest satirist, but he also knows how to write about love and vulnerability in a way to make the angels (and ordinary mortals) weep.”
—Edmund White

“The sweet but hapless Lenny Abramov and the beautiful Eunice Park are the Romeo and Juliet of our wobbly age. Super Sad True Love Storyis a terrifying and heartbreaking, yet exhilarating and hilarious vision of where our post-literate, post-solvent civilization is headed.”
—Kiran Desai, author of The Inheritance of Loss

“If there is any serious reader out there who has not yet made the acquaintance of the seriously absurd universe of Gary Shteyngart then she would be well advised to get on it. With roots deep in the heart of Russian literature, Shteyngart has become an indispensable and important American writer. Super Sad True Love Story shows him at his soulful, smart and hilarious best.”
—Jay McInerney

Super Sad True Love Story is an intoxicating brew of keen-edged satire, social prophecy, linguistic exuberance, and emotional wallop. The American novel is safe in Gary Shteyngart’s gifted hands.”
—David Mitchell

“Gary Shteyngart has written an ingenious satire with enough reality to be truly frightening, super funny and super sad.”
—Mary Gaitskill

“[A] profane and dizzying satire, a dystopic vision of the future as convincing-and, in its way, as frightening-as Cormac McCarthy’s The Road. It’s also a pointedly old-fashioned May-December love story. . . .  a heartbreaker worthy of its title, this is Shteyngart’s best yet.”
—Publishers Weekly, starred review

“Full-tilt and fulminating satirist Shteyngart (Absurdistan, 2006) is mordant, gleeful, and embracive as he funnels today’s follies and atrocities into a devilishly hilarious, soul-shriveling, and all-too plausible vision of a ruthless and crass digital dystopia in which techno-addled humans are still humbled by love and death.”
—Booklist, starred review

“This cyber-apocalyptic vision of an American future seems eerily like the present, in a bleak comedy that is even more frightening than funny. Though Shteyngart received rave reviews for his first two novels (The Russian Debutante’s Daughter, 2001; Absurdistan, 2006), those appear in retrospect to be trial runs for his third and darkest to date.”
Kirkus Reviews, starred review

“It’s not easy to summarize Shteyngart; there’s so much satirical gunpowder packed into every sentence that the effect gets lost in the short version.”
—Lev Grossman, Time Magazine

“The satirist author of Absurdistan rewrites 1984 as a black comedy set in a near future where everything scary about multinational banks, media super-saturation, and American cultural devolution is amped up to 11 (and really funny).”—Details

“Outrageously funny and nightmarishly true, it describes a world where everyone’s economic status and f—ability index are on display through everyone else’s iPhones as soon as they walk into the room…Meanwhile, the protagonist is being destroyed by his love for a barely legal girl with problems of her own. Really, it is funny.”
—Mary Gaitskill in the New York Post, 4/25